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The Sonics – A Tacoma Band

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“Sonic Boom” is a tome of Pacific NW rock music history

In 2020, Kirk Wilde drawing on his memory and historical sources traced the roots of homegrown Pacific Northwest rock music (Click HERE to read the article). He described several artists who were important to the development of the northwest sound. That got me wondering if there were performance videos of those northwest artists that Wilde had written about.

The pickings are slim. Most of the northwest artists had regional fame, but not so much nationally. They did not appear on television or in film. Exceptions that come to mind include The Fleetwoods, Paul Revere & The Raiders, The Ventures, The Kingsmen, Merrilee Rush, Don & The Goodtimes and vocalist Kathi McDonald. A number of video performances by these artists are still available today.

The Sonics, mid-sixties

The Sonics, from Tacoma, WA, are rated as the godfathers of garage rock. Music historians often credit them for the emergence of the punk and grunge sound. That said, for many years they were mainly a Pacific Northwest phenomenon. After a few mid-’60s regional hits that were played on KJR, KOL and the northwest rockers, the Sonics faded into the background for several years. Later the band began touring again. And they kept touring for many years. In Europe the Sonics are hailed as rock icons.

Nationally, in Billboard magazine, the best they did was credit for a Regional Breakout Single on Jan. 30, 1965 for “The Witch.” (And a repeat of that for “You Got Your Head on Backwards” on Sept. 3, 1966.)

Moving ahead 50 years, in April 2015, the Sonics took a break from touring and made a rare appearance in Seattle. The show, live at Easy Street Records, was recorded and the soundtrack is available for purchase. The audio and video were mixed and edited by KEXP -FM in Seattle.

From that Easy Street Records show, I have selected “The Witch.” It was early on in The S0nics’ evolution and the song was hard-driving, raw and intense. If you were a kid in the northwest in the sixties, you heard “The Witch.” I am told that any band that played around here back then had to cover “The Witch.”

Even all these years after “The Witch” was originally released, the Sonics were still rocking in 2015. Gerry Roslie, lead vocalist, was back belting out the lyrics in good form (after having had a heart transplant in 2008). Past and present band members, who appeared in various sets at Easy Street, included Sonics’ founder, Andy Parypa (bass), and his brother Larry Parypa (lead guitar), Rob Lind (sax), Freddie Dennis (bass & vocals), Dusty Watson (drums), and Gerry Rosalie (vocals and keyboard).

On “The Witch,” regular drummer Dusty Watson was replaced by Mark Pickerel of Screaming Trees and Soundgarden’s Ben Shepherd played bass. Technical notes: Original feedback in the soundtrack has been mostly eliminated and lip sync adjusted.

Another QZVX article featuring the Sonics and highlighting their hit “Psycho” is available by clicking HERE.

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Steven L. Smith

Presently editor and historical writer with QZVX.COM in Seattle. Former radio broadcaster and radio station owner, 1970-1999. Journalism and speech communications degrees. I enjoy researching articles and online reporting that allows me to meld together words, audio and video. P.S. I appreciate and encourage reader comments and opinions.

View Comments

  • Kearney Barton also did engineering work for KTW. He installed the transmitter for KTW-FM. I was in the studio on Madison St. and he was at the transmitter at Pigeon Point in West Seattle when we got it on the air for the first time.

  • Kearney Barton was also the studio engineer on The Unusuals' "I'm Walkin' Babe". I always suspected Harvey Redmond (the band's lead vocalist on that tune) was channeling Gerry Rosalie's trademark scream with his choice of delivery on the word "Yeah" in "Walkin' Babe". The resulting sound isn't similar, but the energy is.

  • Interesting story...thanks for that Jack. Makes sense. Those records were pretty distorted.

  • Many years ago, I interviewed Kearney Barton, the studio wizard who recorded a couple of the hits by the Sonics...he admitted to me, that he never really could explain just why the group sounded so uniquely nasty and intense on their recordings...I suggested that they simply played so extremely loud, that the equipment of his studio was overdriven, distorted in a way that soon began to be a "sound" that other groups wanted to explore. He simply said--"That must be it...there is no other explanation that makes sense!"

    • No, Jack, it wasn't just about volume. They had real R&R chord progression songs sung by a true believer, backed with astonishing hard sax & percussion arrangements, yet still elemental. Liberating everything stuck in your soul.

      Now go to the studio version, and "Shot Down", "Psycho" and "Cinderella". Their "Louie" gets it too.

      • I definitely can agree with your words--"elemental", "astonishing hard sax and percussion"--and on top of all that, was Jerry Roslie, sounding even more powerful than Little Richard !...but that distortion sound was something new, and was sought after by many a "garage band" as the 60's rolled on.

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